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Graziella Paletta
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THE BARROW oil painting on cardboard. COLLECTION tempera painting on thin cardboard.
THE BRIDE tempera painting on thin cardboard. THE SPHINX watercolour painting. Selected at Concours international de peinture de la Cote d'Azur Cannes, 1995.
SELFPORTRAIT AT THE AGE OF 18 drawing by pencil on blue thin cardboard. PORTRAIT OF THE ACTOR CHARLTON HESTON drawing by pencil on paper.
SIEGFRIED of Wagner. Study of set design for theatre. On the Walkiria mount The trees are represented by pointed shapes, they are pines, but also totems of gods, like the solitary pine in the centre of the scene, Wodin, enlightened from laser rays, the sun, that make all the scenery shine of an irreal light, where the colours are bright, like an eternal spring; is the Walhalla. SIEGFRIED of Wagner. Study of set design for theatre. Here the scenery is dark and twilight, as the story theme. The colours are those of the nordic nature, the rocks covered by lichens and musks.
THE TEMPEST of Shakespeare. Study of set design for theatre. Scene of the island. Here, the vegetation is represented by shapes in transparent plastic material. The shapes, with holes look like misterious creatures. They symbolize the magical wood of the island, where live monsters and fairies. The shapes used for the clouds, will also be used turned to represent the sea waves. THE TEMPEST of Shakespeare. Study of set design for theatre. Scene ot the island with the cavern, also a plastic shape. The ones used for the vegetation, will be also used to represent the sea bed. A laser ray, wide on the top, to create the water.
THE TEMPEST of Shakespeare. Study of set design for theatre. Scene of the ship. The base,in wood, is an inclined plane, and the sail is broken after the shipwreck. The shapes in transparent plastic material, shine and are movable, to represent the sea waves. Technical set design. Scene of the island. Plan and side view.
MEDIOEVAL SCENERY Study of set design for theatre with three different areas: militar camp, hall of the throne, wood where will happen the battle. The choice of the colors is to remind to the paintings of those times. The dark red background is to give the sensation of the battle and the blood. The trees are shapes painted in metallized color, and remind to the points of the lances. MEDIOEVAL CHURCH Study of set design for theatre. Inside of italian medioeval church.
AFTER THE FALL of Miller. Study of set design for theatre. The story's sequence of events is in the protagonist's mind, represented by concave panels, containing sinuous shapes like the brain's loops. In the centre of the scene the cylinder with a spiral inside represent the spinal column, and also the ward tower of a nazist camp, where the protagonist was prisoner. On the top, the eye of mind, which is also the tower floodlight, from where sometimes go off a laser ray that lights up a mind zone with a memory. AFTER THE FALL of Miller. Study of set design for theatre. Into the tormented protagonist's mind, sometimes appears memories ot youth, of green grasses, and it's all shine of serenity.



©2010 - Graziella Paletta Designer - P.Iva: 02078780067 - Phone/fax: +39 0131 507220 - Mobile: +39 347 2209807 - Address: Via Vassallo Giarola 8, 15121 Alessandria ITALY